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Doctorow has created a fascinating society, where death has been "cured" (just make sure you have regular backups so you can be restored to a clone if anything happens!), the economy is based on the esteem of others (their money-equivalent is called "whuffie"), and things are run be adhocracies. Unfortunately, the characters and plot don't quite hold up to the promise of that amazing setup. Julius is a guy with multiple degrees, who's written symphonies, and died a few times - and usually goes back to Disney World to reboot himself; now he's living at Disney and working on a crowd-control thesis with potential application to the wider world, which is getting a bit crowded due to people not dying. While he's there, a conflict develops with how to renovate or redo the park, and Julius takes things a little bit personally and obsessively.

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In a near future with wearable technology and pervasive technology, someone is developing mind-control tech and successfully field-tested without causing a stir, and almost by accident, Indo-European intelligence stumbles upon it, and figures out what it is. Because the labs are on U.S. soil, and might by backed by U.S. allies, they decide to investigate in a round-about fashion - a deniable third party, known only as "Rabbit" (aka "Mysterious Stranger" or "Mr Smart-Aleck"). This character may be a very smart hacker kid, may be a group or a coalition, or possibly even a playful Artificial Intelligence. Rabbit works to develop a network of affiliation to enter the biolabs and get the information. One person in that network is Robert Gu, a former Nobel poet laureate who is just coming out of the haze of Alzheimers - the latest technology is being put to use to cure his other deficiencies and illnesses - and Gu has to learn to adapt to a new technological world.

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A delightful fairy tale retelling that takes the familiar story of the twelve dancing princesses and fleshes it out-- adding completely plausible reasons for just about every aspect of the story: why the princesses dance every night, whey they can't tell anyone, and even why there are twelve of them. It even adds to the mundane aspects of what life must be like if you had to go dance every night-- what if you get sick (as the oldest, Rose, does) but still had to go dance every night? And with twelve sisters, the youngest are quite young - one dancing since she could walk, and hates balls because she has had to dance every night.

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In the kingdom of Er'Rets, being a stray, with unknown parentage, means that you are lower than a peasant or a slave. Strays are forced to wear orange, branded, and given a last name from an animal. Such is the fate of Achan Cham-- he serves Poril, the cook in the house of Lord Nathak until Sir Gavin the Great Whitewolf takes an interest in him and begins to train him as a squire. At the same time, another is in hiding as a stray under the name of Vrell Sparrow-- a young girl of nobility, hiding as a boy in the lowest of places (a plan devised by her mother) in order to avoid being forced to marry Prince Gidon. Both of them are also discovering they have the gift of "blood-voicing," a kind of mind-to-mind communication that can take place even over long distances. Vrell knows at least a little bit about it from her mother, but not how to control it; Achan thinks it's a myth, but he doesn't know he's been given a tonic every day to suppress the ability. The story really starts to pick up when their paths cross. Achan has now been forced to serve as squire to the selfish and vindictive Prince Gidon, and they travel to Mahanaim where the Council will ratify Gidon as king. Vrell has been summoned by Macoun Hadar, an old, conniving master of blood-voicing who sensed her presence and ability in the coastal town where she was hiding with a friend of her mother's and summoned her to be his apprentice. Eventually the Achan and Vrell meet and become acquainted when Achan is held in prison for (supposedly) endangering the Prince's life while fighting off an attack from the Darkness, and Vrell tends to his wounds with the medicines and salves she has learned to make while apprenticing to an apothecary. It seems everyone has an agenda: Gidon wants to kill Achan and claim the throne; Macoun Hadar wants Achan for an apprentice because his blood-voicing gift is so strong; and Vrell must continue to hide her true identity for fear of discovery or being forced to marry.

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Lily Sanderson is a high school pining for the school jock, Brody-- but unlike most normal high school girls, Lily is half-mermaid. Her father only told her a few years ago that her mother was huma, and gave her the option to live with her aunt Rachel and attend high school to get some experience with the human world and the other half of her heritage. Lily has been plotting with her best friend Shannen how to ask Brody out to the spring dance, but she can't quite get up the nerve. Then, for some reason, her neighbor Quince Fletcher-- whom she hates because he is always teasing her and giving her a hard time-- decides to help her out. Naturally, things don't go quite as planned; when Quince goes to check on Lily he ends up kissing her (because, of course, he likes her). But what he doesn't know is that she's a mermaid, and merfolk have a magical mate-bond which is triggered by a kiss. Lily has to take Quince to her home, Thalassinia (where of course she is a princess) and present him to her father the king in order to ask for a ritual separation that will dissolve the bond between them. But that doesn't go quite the way she planned it, either.

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This book picks up shortly after Trading in Danger (which I read and enjoyed last year). Newly minted space captain Kylara Vatta survived a civil war and even a mutiny by dangerous people temporarily housed on her ship, and acquitted herself well enough that the mercenary company in the area offered her a job, but she decided to stay with the family business of trading, for now. Shortly after the book opens, there are multiple, coordinated, devastating attacks on Vatta ships and on their main offices and palatial home on the planet Slotter Key. Ky and her ship manage to escape unscathed, but because the ansible communications are down she doesn't know exactly what's happened, she decides to proceed with taking her cargo to Lastway as planned. Soon, she's embroiled in a much bigger war to try to save what's left of her family, find out who was responsible and why, and see if she can somehow start rebuilding the family empire.

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A humorous, entertaining, satirical look at the music industry by way of a science fiction adventur romp, complete with aliens and thef ate of the Earth at stake. Here's the setup: there is a Refined League of aliens who have mastered the siences and now focus all their highest energies on the Refined Arts-- but they aren't very good at music, and when they discover Earth's music (by way of the theme song "Welcome Back Kotter"), they are blown away - some of them literally die in ecstasy. They spend the next several decates listening to human music, and when they finally recover enough to start studying other aspects of Earth culture, they discover that -- due to our anti-piracy laws -- they owe all the wealth of the galaxy to Earth.

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The humorous, entertaining, and occasionally insightful story of Montgomery Brewster, who has to spend a million dollars in a year. Monty Brewster, the son of parents who made a "romantic runaway match" and then died when he was a child, was just one of the rich young bucks in New York, until he inherits a million dollars from his grandfather. Shortly after that, he discovers that he has another inheritance from an uncle on his mother's side-- but, due to the poor relationship between the two sides of the family, there is a condition attached. Monty's uncle James Sedgwick didn't want any of his fortune mixed with that of Monty's grandfather, Edwin Peter Brewster. In order to inherit Sedgwick's five million, Brewster will have to spend his inheritance within a year. But, he can't tell anyone (besides his lawyers) what he is doing, and his uncle's friend Swearengen Jones will monitor to make sure Brewster doesn't gamble too much, give too much to charity, or otherwise break the conditions of Sedgwick's bequest.

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