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Tuesday, November 09, 2010

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cover of 'Mockingjay'

What an intense, powerful book. After the crazy escape/rescue from the Quarter Quell, Katniss finds herself recovering in the fabled District 13, where they want her to be their "mockingjay", their symbol of revolution. Katniss finally agrees, but then discovers that they want to dress her up and make her look good so they can use her for propaganda videos: which seems not all that different from the way the Capitol used her. But Katniss isn't an actress, and she sounds terrible saying the words they want to put in her mouth-- so finally Haymitch has the brilliant idea to send Katniss out to do things, visit the districts that have rebelled, and just film her doing what comes naturally to her. This works out pretty well, but as the rebellion goes on and more and more districts break free from the hold of the Capitol, Katniss sees more of the war and more of District 13, and begins to wonder who she can trust, and whether or not the new regime would be that different than the old one.

District 13 is a tough place for Katniss to live-- very regimented and orderly, scheduled and efficient, living underground and away from nature most of the time. With their limited resources and a bombed district above-ground, they have had to live like that to survive, and they've done fairly well, although it is hard for Katniss to come to terms with the idea that District 13 had a cease-fire with the Capitol while the other districts suffered-- they agreed to be left alone in exchange for letting the Capitol make the other districts think that 13 had been completely destroyed.

War changes people, and we see that in many characters in this book, just as having to fight in the Hunger Games changed Katniss and Peeta. One of the most heartbreaking story-lines in this book is what happens to Peeta-- he and a few others were left behind when Katniss was rescued, and Katniss sees him on TV as a mouth-piece for the Capitol-- first well-fed and healthy, but then more and more gaunt, confused, and unhealthy. Finally they are able to rescue Peeta and Johanna, but they have been tortured, and sweet, gentle Peeta has been brain-washed into something cold and hateful. Another character who we see changed by war is Gale-- he turns his cleverness in fashioning traps for hunting animals towards bombs and other mechanisms of war; from the first book in the trilogy there were hints about his anger at the Capitol, but we see that hardness come out in his actions in this book. Towards the end, the parallels between war and the Hunger Games are made explicit when Katniss, Finnick, and the rest of their team must work their way through the Capitol, which has been laced with mines and traps, just like the arena in the Games.

There are hints occasionally throughout the book that the leadership of District 13 may be no better than the Capitol-- in fact, I wondered if the name of President Coin was a hint towards that; she is just another side of the coin of the evil and manipulative President Snow. There is a chilling moment late in the book when a question is posed that makes the human capacity for evil explicit, when a new round of Hunger Games is suggested as a possible solution to deal with the horror and death of the war.

The world Collins has created in this trilogy is so rich and full and believable (if horrible in some ways). The mockingjay of the title is one of those wonderful details that has been present since the first book, when Madge pins a gold pin onto Katniss' dress before she leaves on the train to go to the games. The mockingjay becomes an apt symbol of the revolution because it is a cross between the mockingbird and the jabberjay that the Capitol engineered as a bird-spy, which the rebels figured out and turned against them-- and the mockingjay is a reminder and a sign of that technology living on in another form, in a way that the scientists of the Capitol could never predict or control. In this book we also get the explanation for the source of the name of the country of Panem-- it's taken from the Latin panem et circenses, bread and circuses, which refers to appeasing the populace with food and spectacle, drawing a parallel between the Colosseum of Rome and the Hunger Games of Panem.

As the book ends, we get a glimpse of Peeta, Katniss, and Haymitch, and their life after the turmoil of the events of the book. I was glad to read some small part of their story, and what they did to mourn and remember the things they went through and the people that they lost, and to think of them wrestling with how to tell their story, the awful things they did, to the next generation. Afterwards, it struck me that the people who were victors in the Hunger Games and instrumental in winning the war ended up pretty far-removed from the actual running of the government after the fact; and I can't help but think, perhaps this is because the kind of people who can win these deadly games (war or otherwise) aren't the ones you want holding the pieces after.

Title:Mockingjay
Author:Suzanne Collins
Date published:2010
Genre:Young Adult / Science Fiction
Series:The Hunger Games Trilogy
Number of pages:390
Notes:borrowed from Catey

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Saturday, November 06, 2010

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cover of 'Catching Fire'

I had heard that the sequel to The Hunger Games (which I read last month) wasn't quite as good or as enthralling as the first book in the trilogy-- but I found this book quite engaging and easy to read, and almost as hard to put down. We find Katniss and her family more or less settled into her posh house in the nearly unoccupied Victor's Village of District 12, with running water and a telephone but no one to call; she still hunts with Gale, but not because she or her family need it, but his does-- and she needs something to do, to keep herself busy. We pick up the story just before Katniss and Peeta go on the road to visit all of the districts, in a terrible victory tour that reminds all the other districts and families and parents what they lost-- but Katniss gets a secret, threatening visit from President Snow to tell her, she'd better continue pretending to be crazy in love with Peeta, because otherwise... Katniss' clever solution to keeping both herself and Peeta alive at the end of the last book has become a symbol of rebellion, of out-witting the all-powerful Capitol; Snow threatens her family and friends if she doesn't do everything she can to discourage that view of things, but as they make their way through the districts, Katniss begins to realize maybe it doesn't matter what she does or says, she can't convince anyone or change anyone's mind...

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Saturday, October 30, 2010

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cover of 'The Wizard's Shadow' by Susan Dexter

This story begins with a wizard being killed, which apparently is quite difficult to do safely. In this case, the people were given very specific instructions: don't spill his life-blood, don't let him speak a curse, don't let him use his hands to work magic. However, there was one thing they didn't account for: as he is bound and dying, the sun comes out and this wizard casts some unspoken spell to free his shadow. Some time later (years, perhaps), a traveling peddler named Crocken passes near the spot where the wizard dies, and he is persuaded/coerced/bargained/threatened into taking on this shadow and carrying it with him to the far-off country of Armyn.

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Monday, October 18, 2010

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Shortly after I started reading this book, I thought I recognized the standard hero and heroine of a Grace Livingston Hill novel-- the beautiful, angelic, unspoiled but well-educated and refined Minister's daughter, Lynn; the tough but sweet, good-looking neighbor boy, Mark Carter, who grew up with her but is now in some kind of trouble and estranged for her (of course they must be meant for each other); the spoiled rich boy, Laurence Shafton, who may be a slight distraction for the good girl-- she won't care for his money or fine things, but he will be drawn to this beautiful, religious girl and maybe it will change him for the better. That story does play out rather like I expected (although the characters have more depth than the caricatures I've suggested), but I was pleasantly surprised by this story: as much as it is about Lynn and Mark and Laurence, it is really Billy's story-- the young, tough neighborhood kid who looks up to Carter (or "Cart", as Billy calls him) and loves Miss Lynn's Sunday School lessons. In trying to earn some extra cash, Billy gets tangled up in some bad business and messes things up for others around him-- and as he tries to make things right, he seems to learn and finally understand true grace.

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Saturday, October 16, 2010

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cover of 'The Hunger Games'

It's a little hard to believe that this intense, violent story set in an oppressive, dystopic world was written for young adults, but now that I've read it I can understand why the series is so popular. The story is narrated by Katniss, a teenager who's provided for her family (mostly by illegal hunting) ever since her dad was killed in a mine explosion. They live in District 12, one of the poorest districts of the nation of Panem, in what used to be North America. Out west beyond the Rockies is the luxurious, wealthy Capitol city-- but the people of the districts are oppressed and kept poor even as they work for all the goods that supply the Capitol. As punishment for an old rebellion that left a thirteenth district completely destroyed and as a reminder of who has the power, every year each district must send two of their children-- a boy and a girl-- as "tributes" to participate in the Hunger Games, something like a reality TV show in a huge (but controlled) outdoor setting where the children must fight to the death. Katniss's little sister, Prim's (the only person Katniss is sure she loves) name is the one that is drawn-- so Katniss volunteers to take her place. Of course, that's only the beginning of what is quite an engaging, page-turning, compelling story.

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Friday, October 15, 2010

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cover of Sunshine

When Sunshine is getting ready to go into battle with Con, and expecting to die (for about the third time in this book), she thinks about what to do with the two days she has left-- and one of the options that crosses her mind is reading:

Reread your favorite novel, the one you only let yourself anymore when you're sick in bed. I might have enjoyed this more, since I'm never sick, if death didn't seem like a very bad trade-off.
This caught my eye because I was actually sick in bed re-reading Sunshine. I don't know if that makes it my favorite book (it is definitely up there), but this book was such a wonderful, complete distraction from my own misery to escape into Sunshine's crazy world (and in particular her humorous, self-deprecating attitude that comes through in the narrative as she provides commentary). It feels like such a full, real world too-- populated with fascinating characters, and details of slang and history and myths, and since we get everything filtered through Sunshine's perspective, we don't know which myths are true and which aren't. Sunshine lives in a dangerous world that I'm not sure I'd want to visit-- I'd love to sample her cinnamon rolls and crazy decadent desserts at Charlie's coffeehouse, but I'm not sure I'd want to navigate the dangers of Old Town to get there.

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Sunday, August 29, 2010

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cover of Heyer's 'The Masqueraders'

Prudence and Robin Tremaine are a brother and sister fleeing to London, and because Robin was involved in the Jacobite rebellion on the wrong side, they disguise themselves-- the tall Prudence pretends to be a young man, and the slight, elegant, talented actor Robin pretends to be the sister. On their way to London, they run into flighty young Letitia, who is eloping with a man because she thought it would be quite an adventure, but he turns out to be rather a brute and after her money. Robin and Prudence manage to rescue her shortly before Letitia's family friend, Anthony Fanshawe comes to help her-- a man so large that Robin teasingly calls him "the mountain" to his sister (a man large enough for so tall a girl). Anthony takes the young lad (Prudence) under his wing when they go to London, introducing him around and sponsoring him at the gentleman's club; meanwhile, Robin and Letitia become rather intimate friends (Robin has fallen in love with the silly girl, so on a few occasions-- like a masked ball-- he manages to be her mysterious, romantic hero). Eventually, Prudence and Robin's father comes to town-- he's an adventurer and master of disguise, and perhaps a bit of a con man, so even they aren't sure whether or not they can believe him when he claims to be the long lost son and heir to a nearby estate.

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Sunday, August 22, 2010

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cover of 'Devil's Cub'

This book is somewhat of a sequel to These Old Shades (which I read recently), as it follows Dominic Alastair, Marquis of Vidal. The "cub" of the title, he is the son of the Duke of Avon (who was known as "Satanas" to some, hence the title) and the fiery Leonie, and Heyer presents Vidal as a pretty believable mixture of his parents. He has his father's lack of morals and devil-may-care attitude, but he has his mother's quick temper instead of his father's subtlety and deviousness. He gets in a bit of trouble because he wounds someone in a duel-- and, what apparently makes it worse, he didn't even bother to go through the proper forms, but had the duel right then and there in the house where they were gambling. His father is quite angry with him and decides to send him to France, but this is mostly because Leonie is upset rather than that Vidal may have killed a man. Since Vidal is used to having pretty much whatever he wants, he decides to take along with him the pretty bourgeoisie girl who he has been flirting with-- but, of course, things don't go exactly as planned.

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